![]() ![]() ![]() On the extreme lower left of the Organizer, click the Show icon ( ), which reveals the folders on the upper left.To make your Organizer look like the next figure, take the following steps: Note that the contents of the Organizer will depend upon many circumstances, including which lessons you’ve performed, whether you’ve imported content into the Organizer from Photoshop Elements, and other factors. ![]() In this exercise, you’ll learn how to perform manual tagging and Smart Tagging in the Organizer, and then how to search for clips using those tags in the Organizer. You can open the Organizer by clicking the Organizer icon ( ) in Adobe Premiere Elements Action bar. Both are ideal for home users, but Sony's Movie Studio Platinum remains our top recommendation.The Project Assets panel is great for quickly finding clips, but the Organizer is the best tool in Adobe Premiere Elements for serious organization and search-and-retrieval work. On paper, Premiere Elements comes top for advanced features, but in practice Movie Studio Platinum feels more capable and precise. Sony does things differently, with Sony Movie Studio Platinum 12 being the same as Sony Vegas Pro 12 but with various features omitted. The lack of track mute and solo buttons made it hard to manage complex sequences involving lots of stacked clips, and the lack of ripple-editing options (which dictate how clips move on the timeline) posed further complications.įor advanced projects, it's noticeable that Premiere Elements isn't based on the same underlying code as Adobe Premiere Pro, despite their operational similarities. There's no shortage of powerful tools here, but attempting to use them in combination left us feeling that Premiere Elements isn’t refined enough to deliver its full potential. We encountered similar obstacles when we attempted to use Premiere Elements for an advanced editing project involving various green-screen and masking techniques. Premiere Elements 12 includes some sophisticated tools for combining clips, but using them in tandem can be cumbersome We tried creating circular, soft-edged masks by applying the Image Matte Key effect to the Adjustment Layer object but, disappointingly, this resulted in black pixels rather than limiting the effect to a small area. However, it was limited to a rectangular shape. We could do so by adjusting the Adjustment Layer's size and position using the Motion settings, and we could even animate its size and position. We had hoped that Adjustment Layers would also provide a way of applying effects to a limited area of the frame. Adobe has added four new FilmLooks presets, bringing the total to 16. Applying them as an Adjustment Layer makes the FilmLook effect much easier to use across an entire project. Think of them as the video equivalent to Instagram filters. These aren't distinct effects in themselves, but are presets that draw on various other effects to give video a film-like appearance. Adjustment Layers also make it much easier to use the FilmLooks effects introduced in version 11. The Opacity control makes it easy to adjust the overall strength of the effect and fade it in and out. It's also handy for applying effects to clips that are stacked vertically, such as a video with text and graphic overlays.Īdjustment Layers bring other advantages, too. It could be used to apply a blanket effect to a sequence of clips or an entire project without having to add it to each clip in turn. An Adjustment Layer is a virtual object on the timeline, and its effects settings are applied to any objects that sit below it on other timeline tracks. The big news for advanced users is the introduction of Adjustment Layers, another concept that’ll be familiar to Photoshop Elements users.
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